Investigative reporter and essayist Russ Baker is a
longtime contributor to TomPaine.com. He is the
founder of the Real News Project, a new organization dedicated
to producing groundbreaking investigative journalism. He can
be reached at russ@russbaker.com.
Whatever Bob Woodward did or didn’t do,
should or shouldn’t have done, knew or didn’t know, several
lessons can be drawn from this latest of media scandals—and
none of them speak well of journalism as it is practiced at
elite levels today.
For one thing, the very definition of an "investigative
reporter," as Woodward is labeled these days ad
nauseum , is a pretty elastic one. Meeting a source in a
parking garage as a way of identifying abuses and high crimes
by powerful insiders is one thing. Dining off that for the
next three decades while chumming it up with well-placed
insiders for their “exclusive accounts” is another.
In my book (and in most journalism textbooks),
investigative reporting—as distinguished from other
journalism—involves self-propelled inquiry into secrets that
need to be uncovered. True investigative reporters struggle to
obtain confidential or hard-to-obtain documents; elicit
whistleblower testimony from those who could get in trouble
for talking; track down elusive and obscure sources of
valuable information; and undertake painstaking,
time-consuming efforts to construct elaborate charts and
timelines based on hundreds or thousands of disparate
elements. It is exhausting, often unglamorous work, not
usually carried out within easy reach of champagne or $100
meals.
Investigative journalism rarely involves asking powerful
people what they think or how they would like to characterize
their actions. And that’s really what Bob Woodward has been
doing for a long time: he has the fame and manner to gain
access to sovereign and court jester alike, he gets them
talking, and then he sells books full of what they have to
say. Whether they are telling the truth, we have no way of
knowing, because analysis and perspective are not Woodward’s
strong suits. And reporters who produce a book a year can’t be
doing a whole lot of investigating.
Woodward’s investigative appetites are further called into
doubt by his claim to have realized his first-place finish in
the Valerie Plame leak sweepstakes only after he watched
Patrick Fitzgerald’s indictment press conference. If he were
as savvy and interested as he suggests, he would have been
preparing timelines based on the case since last summer at
least, and therefore would have long recognized he could and
would be a central player in the scandal.
Equally improbably, he asserts that by the time he thought
fit to tell his boss (in late October) that he too had spoken
in 2003 with White House officials about Plame, he was
belatedly but “quite aggressively reporting” a story related
to the Plame case. But why did it take the Libby indictment to
prod him into aggressive-reporting mode when he himself had
been privy to White House leaks whose only purpose was to
discredit critics of the administration’s false WMD
claims? In media appearances, he’d long pooh-poohed
Fitzgerald’s investigation, while dismissing the outing of
Plame altogether as a “non-story.”
Notwithstanding his newly declared enthusiasm for the
story, one has to wonder what might be the outcome of the
“aggressive reporting” he is now engaged in. Something that
incriminates high White House officials? Not likely, or there
will be no more insider access—not with this administration,
in any case. Besides, that “aggressive reporting,” based on
his track record, probably means more conversations with the
players themselves—conversations that are more likely to
comprise artful positioning on the part of the players rather
than true confessionals.
There’s a self-serving aspect to so much of this business.
“I explained in detail that I was trying to protect my
sources,” Woodward said in an interview this week. “That’s job
number one in a case like this.” What went unsaid was that
protecting his sources—while maybe in the public interest—is
definitely in his, since his entire genre is based on serving
the interests of the powerful enough that they will continue
to give him the unusual access that has made him rich.
The still-aborning Woodward controversy (with all the words
already spoken and published in just a few short days) tells
us something else about today’s breed of superstar journalists
(and the wannabes): Given a choice between uncovering elusive
but crucial new insights, or merely commenting on the work of
others, they will often choose the latter. Not that reporters
are proscribed from taking shots—this article certainly
qualifies—but the basis for the criticism ought to be a track
record of seeking the truth about the WMD disinformation
campaign itself—and not merely playing telephone within the
make-believe world of the DC snowglobe.
The same can be said about coverage of Patrick Fitzgerald.
I suspect that the journalist-hours so far devoted to
speculation about Fitzgerald and what his grand juries might
be up to far outweigh the time and effort spent investigating
the underlying story: exactly how the Bush administration got
us—America and the world— into the mess we’re in.
Finally, there’s Woodward’s universally acknowledged
special status. He is an “assistant managing editor” who does
no managing, no editing and precious little daily journalism
at all, but gets to carry a business card from a major daily
while churning out bestseller insider tell-all books and
earning a fortune for public speaking. The reality is that
The Washington Post is a for-profit business, and so
is Bob Woodward. Together, based mostly on advance excerpts
from his books, they make money. Whether the public
benefits—really truly benefits—as it does from fearless,
exhaustive, plain vanilla investigative journalism is another
question. (Other Posties do the real heavy lifting, but you’ve
never heard of those poor schlubs.)
On Sunday, in a piece that was relatively tough on the
wayward son, the Post’s own ombudsman referred to
Woodward as “a relentlessly aggressive reporter and a
rock-solid member of the Washington Establishment”—a
characterization that gives a whole new meaning to the term
oxymoron. Woodward’s knack for making nice with the
people he should be unafraid to offend is evidence anew
that journalism must be reformed, rather dramatically, if it
is to survive. Let the reformation begin...right
now.